TYPEMATCHSEO
Launch

TYPEMATCH.

V2.1

Browse Directory
700
400
PAIRING ID: PAR-NIC // ETHOS: HANDWRITING + DISPLAY

Balancing Parisienne with Nico Moji

Anchor the expressive personality of Parisienne with the utilitarian clarity of Nico Moji.

Display Face

Parisienne

Weight: 700

Body Face

Nico Moji

Weight: 400

This pairing is engineered for teams that need a clear hierarchy without sacrificing brand voice. Parisienne brings french, classic, script energy to hero units, pricing sections, and campaign headlines. Nico Moji absorbs the heavy lifting for paragraphs, product storytelling, and UI labels with its japanese, techno, futuristic texture and dependable rhythm. Together they create a typography stack that scales from high-impact landing pages to dense documentation without retooling your CSS tokens.

Typographic Hierarchy & Scale

H1The Quick Fox
H2The Quick Fox
H3The Quick Fox
PThe quick brown fox jumps over...
Dark Context
Aa

High contrast negative space.

Accent
Gg

Legibility on high-chroma.

Pairing Strategy

Balancing Parisienne with Nico Moji

Anchor the expressive personality of Parisienne with the utilitarian clarity of Nico Moji.

This pairing is engineered for teams that need a clear hierarchy without sacrificing brand voice. Parisienne brings french, classic, script energy to hero units, pricing sections, and campaign headlines. Nico Moji absorbs the heavy lifting for paragraphs, product storytelling, and UI labels with its japanese, techno, futuristic texture and dependable rhythm. Together they create a typography stack that scales from high-impact landing pages to dense documentation without retooling your CSS tokens.

Parisienne thrives as a headline face thanks to its french, classic, script qualities. Use weights 400–600 for crisp editorial lockups.
Nico Moji excels in paragraphs and UI thanks to its japanese, techno, futuristic traits. Keep it between weights 400–600 for optimal readability.
Hierarchy guidance: run a 1:1.4 modular scale and reserve Parisienne for H1–H3 while Nico Moji powers captions, body copy, and data tables.

Best-Fit Use Cases

  • High-growth SaaS landing pages that require french hero statements with trustworthy product copy.
  • Editorial magazines and thought-leadership hubs where Parisienne can dramatize pull quotes while Nico Moji keeps 1,500-word essays skimmable.
  • Conversion funnels or onboarding flows that need Nico Moji's japanese voice to balance Parisienne's attention-grabbing display.

Accessibility Notes

Maintain a minimum 4.5:1 contrast ratio for Nico Moji body copy and loosen letter-spacing to 0.01em for uppercase Parisienne moments. Pairing different categories demands disciplined color pairing—test both light and dark themes to ensure Nico Moji does not bloom at small sizes.

CSS Implementation Cheatsheet

:root {
  --tm-header-family: 'Parisienne', handwriting;
  --tm-body-family: 'Nico Moji', display;
  --tm-header-weight: 400;
  --tm-body-weight: 400;
  --tm-header-tracking: -0.04em;
  --tm-body-tracking: 0em;
}
Heading scale: clamp(2.75rem, 4.5vw, 5.25rem) for H1, clamp(1.5rem, 2.8vw, 3rem) for H2, and keep paragraph size at 1rem–1.125rem with 1.6 line-height.
Component guidance: Buttons inherit Parisienne at 400 for momentum, while forms, tables, and footnotes stay on Nico Moji with 400 weight for predictable kerning.

FAQs

Why does Parisienne make sense as the lead font?

Parisienne owns the emotional register of this system. Its french, classic, script profile helps anchor campaign creative, meaning marketing and product teams can reuse the same voice without reinventing the scale.

Where should Nico Moji show up?

Nico Moji is the workhorse. Keep it in paragraphs, long-form editorial, knowledge bases, or anywhere legibility is non-negotiable. Its japanese, techno, futuristic qualities reduce fatigue on dense layouts.

Does this pairing support complex localization?

Yes—both families are available on Google Fonts with generous glyph coverage. Test cyrillic/latin accents early, but most Latin-based locales and UI patterns are fully supported.